• The Cheesecake Burlesque Revue review: body confidence, comedy and feminist burlesque

    A glorious celebration of bodies, burlesque and feminist joy Rating: ★★★★★ At a glance A vibrant, funny and gloriously body-positive celebration of burlesque from Victoria, Canada. Featuring performers in their twenties through to their fifties, The Cheesecake Burlesque Revue combines comedy, music, puppetry, spoken word and the craft of burlesque in a joyful feminist show…

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  • Why English? review: language, identity and bodily freedom

    A bold and provocative journey through language, identity and bodily freedom Rating: ★★★★½ At a glance Vibhinna Ramdev blends autobiographical storytelling, physical theatre and lively audience interaction to question English, colonialism, class and attitudes towards women in India. Humour and playful staging sit alongside disturbing testimony, building towards a bold final act of bodily freedom.…

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  • ADEY: Finding a Voice Between Cultures- Edinburgh Festival Fringe 2026

    At a Glance Through poetry, music, storytelling and movement, ADEY brings together a young woman’s Tottenham upbringing and Eritrean heritage. This inviting performance examines family expectations, cultural identity and the struggle to make yourself heard. Its strongest moments suggest an engaging production that could develop its ideas and physicality even further. Show: ADEY Artist/company: Bethlehem…

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Ginny Evans-Pollard posing in front of colourful graffiti at a Bristol shelter, with one hand raised beside the words “Fuck This.”

Queen Queerlysh

Queer stories, neurodivergent joy and glorious mess—on stage and on the page.